“Romero’s Dawn of the Dead”

When there’s no more room in hell, the dead will walk the earth.


As the final hours of the Thanksgiving weekend came to a close, I turned my attention to the mid-season finale of AMC network’s ratings juggernaut “The Walking Dead.” This blog is not about that particular show. I’ve already written a piece on the six episodes that comprise the first season, which can be found in the March 2011 archives of RobbinsRealm Blog. No, I am turning my cinematic attention this week to another piece of zombie fare, George A. Romero’s (Night of the Living Dead) seminal 1978 masterpiece “Dawn of the Dead.” It is beyond a shadow of a doubt one of my favorite films of the horror genre, and, in this blogger’s opinion, one of the genre’s quintessential best due to the complexity of themes and ideas that are presented to the viewer.  I know that zombies have become ubiquitous in just about every medium of our popular culture, but please keep in mind that when this film was first released in Italy on September 2, 1978, the massive hordes of decaying undead weren’t nearly as omnipresent.

The movie is director Romero’s follow up to his classic originator, 1968’s Night of the Living Dead. It follows the trials and tribulations of its four well drawn out main characters: two members of a Philadelphia swat team, a television executive, and a traffic reporter, as they seek shelter in a shopping mall on the outskirts of Pittsburgh. It turns out that the mall might just be the perfect place to ride out the proverbial storm of death while waiting for something that they hope will be their salvation. After all, the mall offers them innumerable supplies in the way of weapons, clothing, food, and the like. The band of survivors are free to take what they want when they want as if the mall was a utopia that catered to people’s material desires, and everything was theirs just for the taking. The initial feelings the characters have of kids in a candy store with free candy dissipates for the foursome as the months of lockdown pass; cabin fever begins to set in. But, it is a problem that doesn’t last long thanks to the actions of a gang of bikers that invades the mall thereby destroying the plans of the survivors and forcing them in a confrontation with both criminals and monsters alike.

The film which had a budget of approximately $650,000 and went on to gross an estimated $55,000,000, was amongst the first to present the now well tread path of the desperate struggle for survival in the face of a zombie apocalypse. Regardless of the fact that this was his second film, it should be viewed as the premier modern day zombie movie. The film adeptly blends the thematic elements of comedy, drama, horror, and satire which move effortlessly from one frame to the next. In this blogger’s opinion, Romero suggests to the viewer that perhaps the human race, under normal conditions, is more volatile than the shambling zombie corpses that don’t truly know what they’re doing. Opinions aside, Romero invites the viewer of the movie in, to vicariously share all of the anarchic thrills of the collapse of western civilization that would take place if a zombie apocalypse actually transpired.

How did the film come about in the first place a decade after the original? Dario Argento (Suspiria), who is known as the “Italian Hitchcock,heard that Romero was interested in making a potential sequel to “Night of the Living Dead.” Argento became consumed with the idea, so much so, that he invited both Romero, and his then wife, Christine Forrest with whom Romero has three children, to come spend time with him in Rome. Over the course of three weeks Romero, with Argento’s mentoring, wrote the screenplay for “Dawn of the Dead.” In addition to the advice he gave regarding the story for the film, Argento helped Romero secure financing for the picture on the sole stipulation that Argento would have complete control over the European edit of the movie. The film cut that American audiences have come to experience was lengthier and spent more time focusing on character development; conversely Argento’s edit features big action that takes place in a shorter run time, as well as a score from the director’s own music group, Goblin. As an aside, Romero has acknowledged that while working on “Night of the Living Dead,” he specifically garnered inspiration from the novel “I am Legend” written by prolific author Richard Matheson. The monsters that were created by Matheson’s imagination are more in sync with the look of Nosferatu in F.W. Murnau’s (Faust) 1922 classic of the same name, while the creatures in director Francis Lawrence’s (Water for Elephants) 2007 version starring Will Smith (Men in Black) are possessed  with both heightened aggression and freakish speed.

The cast at the time of filming was comprised of four unknowns, three actors David Emge (Basket Case 2), Ken Foree (The Devil’s Rejects), Scott H. Reiniger (Danny), and actress Gaylen Ross (Creepshow). They do a fantastic job of carrying the film without ever displaying anything short of genuine emotion. Not once during one of my many viewings of the film over the years have I ever felt that there wasn’t a strong sense of realism to what I was watching. The cast plays off one another very well, which is essential in a film of this type where the story is mainly character driven. Gifted make-up artist, special effects guru, and actor, Tom Savini (From Dusk Till Dawn) appears in the movie as a leader of the aforementioned bikers that invade the mall. On a personal note, a former teacher of mine, James A. Baffico (All the Right Moves), who is both an actor and director plays the role of Wooley in the film.

Regardless of personal tastes, when it comes to horror films, there is no denying that “Dawn of the Dead” laid the foundation for the current climate of zombie mania that has invaded the pop-culture landscape in recent years. By today’s standards the film is nowhere near as jarring to the senses in a shocking way as it pertains to the violence that is shown on screen. Nor does it present the viewer with non-stop action like many of the films that deal with the same subject are apt to do. What it does do and exceptionally well at that, is paint a portrait of a nihilistic society that has drowned in bleakness because eventually the realization that just surviving for survival’s sake might not be enough to warrant living. Would it be wonderful if every time any one of us wanted something we could just go to a shopping mall and take it without spending cash or having our credit cards charged? Absolutely! But in a world gone to a literal hell, do material possessions really mean a whole heck of a lot? I think not. “Dawn of the Dead” has been given a Blu-ray release and can be purchased on Amazon.com, while both the American and European versions are available to be rented on Netflix. If you love zombie movies, or for that matter horror movies that encapsulate the very best the genre has to offer, “Dawn of the Dead” is must see viewing.


About robbinsrealm

I was born in Smithtown, New York, and grew up, worked, and lived in various areas of Long Island before moving to Boca Raton, Florida where I now make my home. In addition to being an aspiring writer, I am also an English teacher. I have a Bachelor of Arts in English and a Master’s Degree in Education, both from Adelphi University in Garden City, New York. In my spare time you will find me engrossed in books, watching movies, socializing with friends, or just staying active.
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